The Girl on the Train
Despite a strong performance by Emily Blunt, The Girl on the Train is a middling thriller without much to offer.
One day on the power train , Rachel witness Megan on her porch embracing another man , her therapist Kamal Abdic ( Edgar Ramírez ) . Without experience the full context of use , Rachel falls into a sottish rage , ferocious that Megan would betray her hubby . On her way home that night , Rachel stops at Megan ’s neighbourhood expect for an electric outlet to voice her frustration . Tracking Megan to a nearby burrow , Rachel melanise out and wakes up the next morning bruised and bloodied . memorize that Megan has disappeared , Rachel has to unravel the secret and prove her whiteness .
The Girl on the Trainis based on the well - sell novel of the same name by Paula Hawkins . The picture ’s selling material have drawn comparisons to David Fincher’sGone Girldue to some surface - level law of similarity ( a woman goes pretermit , the main character is seen as a primary defendant ) , and the Bob Hope was that the movie could replicateGone Girl ’s early winner of being a enchant report that raised fascinating discourse percentage point . Unfortunately that is n’t the casing . Despite a warm performance by Emily Blunt , The Girl on the Trainis a middling thriller without much to offer .
A majority of the photographic film ’s problems lie in the screenplay by Erin Cressida Wilson . The first routine , which position up the principal trio of Rachel , Megan , and Anna , is write in such a way that the characters mostly add up across as cold and emotionally removed , make it difficult for some audience member to latch on . It also takes a while for the main tale to get going , as the flick meanders and plodding along in its opening present moment . The dull tempo makesThe Girl on the Trainfeel boring at time , when viewers should be get quick for an intriguing whodunit plot . By the time the case surrounding Megan ’s disappearing comes into focus , it ’s a font of too niggling too late . It also does n’t help matters that some of the various twists are fairly obvious and do n’t tot up much of substance .
The handwriting also periodically jumps back and forth through clock time , which gives the movie a jerky feel ( as oppose to being a cohesive story ) . While they are designed to flesh out the characters and their situations further , only select ones ( include a tragedy from earlier in Megan ’s life ) are enlightening enough to be warrant . The key outlet with the flashbacks is that the chief players in the story are n’t well - agnise to start with , and skipping around the timeline does n’t do much in the way of making them more challenging frame . Taylor tries to use the flashbacks as buildup for major Apocalypse , but the payoffs are not very satisfying . wretched editing chip in to the tempo woes , and the film ’s sub - two 60 minutes runtime feel much tenacious than it really is .
Of the film ’s asset , Blunt is the clear standout as Rachel . The actress operate reasonably against type by playing a fictional character who is not meant to be likable , and she fork up one of the good execution of her career . Blunt injects a bit of emotional vulnerability in her turning , which allows the character to feel more rounded and not just a impersonation . Her Rachel is a broken adult female who had her life strip away . Blunt may come across as too misfortunate for some moviegoers ' gustatory sensation , but she does a o.k. Book of Job in the role and has a brace of moment where she possess the screen . Her arc is n’t the respectable this writing style has encounter , but that ’s more of a product of the written material than the acting .
The same can not be say for Blunt ’s co - star . Nearly every extremity of the supporting hurl come off as dull and exanimate , a result of either poor direction by Tate Taylor ( The assist ) or the thin sketches of the hand . Dark characters can be interesting to watch on - screen , but none of the ones here ( with the exception of perhaps Rachel ) are particularly piquant . The nigh thing to a highlight here is Evans playing a seemingly concerned husband , but earlier segments of the movie paint him in such an uncomplimentary manner , it ’s difficult for the audience to completely buy in . Outside of Blunt , everyone seems to be going through the gesture , which like the redaction and writing , makes the moving-picture show a slog to take in .
In the oddment , The Girl on the Trainis a poor adaptation of a well - received novel that illustrate not all books are destined for the big blind . Taylor crafts a suitably moody atmospheric state for this tale , but moviegoers may not be able to shake the feeling that he ’s doing a David Fincher impression as counterbalance to making the material his own . A weak script and uneven pacing are what ultimately derails this film . Fans of the Christian Bible rummy to see how it translates to another mass medium may be interested , but the uninitiated can look for home sensitive .
Trailer
The Girl on the Trainis now playing in U.S. dramatic art . It runs 112 moment and is tell on universal gas constant for violence , intimate content , lyric , and nudity .
The Girl on the Train is a psychological thriller about a recovering alcoholic who witnesses a shocking crime . With the police unwilling to act , she decides to take matters into her own hands but shortly begins to question the event unfolding around her . Emily Blunt act as the leading , with Rebecca Ferguson , Haley Bennett , and Justin Theroux just a few of the other great figure supporting .
The Girl on the Train is a psychological thriller about a recovering alcoholic who witnesses a shocking crime. With the police unwilling to act, she decides to take matters into her own hands but soon begins to question the events unfolding around her. Emily Blunt plays the lead, with Rebecca Ferguson, Haley Bennett, and Justin Theroux just a few of the other big names supporting.
