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Finding Nemo 3D is another example of post-conversion done right and, paired with the especially humorous Partysaurus Rex short, is well worth another trip to your local box office.
Three year before Disney officially buy Pixar Studios , the animation house released one of their most beloved and critically lauded moving picture to date . Finding Nemoopened May 30 , 2003 and drive home over $ 800 million in worldwide ticket sales - on a $ 94 million budget . Since that time , the film has become a rooter - favourite home amusement option for folk and aliveness fans - not to mention positioned theatrical role like Nemo , Marlin , and Dory as long - term merchandising weapons platform .
Now that three-D has handle to take hold both at the box office and menage theaters , Disney has been dig in the Pixar archive and rereleasing sure films with new 3D visuals - includingToy Story , Toy Story 2 , and soonMonsters Inc. Given the critical and commercial-grade success of the moving-picture show , there ’s no debating that theFinding Nemostory is a must see for movie fan . However , with ten years of availability on DVD ( and now Blu - ray ) , doesFinding Nemo 3D , coupled with Mark Walsh’sToy Storyshort , Partysaurus Rex , offer enough issue to make it worth another viewing - this time in three-D ?
NOTE : As with late 3D rerelease reviews , the purpose of ourFinding Nemo 3Dreview is to help our readers make an informed decision about the 3D rerelease , not spend sentence revisit any overarching problems that might have been patent in the original pic - since reviewer are in all probability well acquainted with the quality and overpoweringly confident critical reception of the 2003 film . In a time when pic studio are quick to squeeze unnecessary post - conversion rereleases into theaters , moviegoers need to sleep together which flick have enjoyed a stringent as well as artistic 3D discussion and which I are only revisit for the role of studio apartment two-fold - dipping - made even more tempting by 3D upcharges and eventual 3D blu - ray sales .
Fortunately , while Disney is sure to net a solid return on their 3D investment funds , Pixar ’s 3D conversion process is much more Byzantine than typical " post - conversions " ( the Pixar 3D team likens it more to " diversion " ) - resulting in an experience that is absolutely enhanced by the summate depth . Unlike film conversions , Pixar can actually revisit the original digitalFinding Nemofiles and , as they convert each scene into 3D , are able to manually direct glitch or areas of uncomfortableness that might occur as a termination of incite the ikon from a 2D to 3D aeroplane . In some compositor’s case the 3D team even fixed problems that slipped through the quip the first time the film was relinquish - details that will no doubt be the subject of a special feature on the inevitable 3D Blu - shaft .
Anyone who is immediately put off by the idea of the conversion squad shrink from with the original motion picture can breathe tardily - the changes represent only minor decorative alterations ( take out element that might be distracting in a 3D foreground ) or addressing oversight that slipped through in the original version ( mend a stationary shadow that did n’t move after a character buy the farm the shot ) . The cinema does n’t contain any unexampled scenes , extended takes , or newfangled easter eggs - it ’s the sameFinding Nemo , except optimized for 3D viewing .
In general , the Pixar conversion approach is in product line with 3D guru James Cameron - who keeps the audience ’s emotional focus at the blind and enhances the experience with pernicious elements positioned in the foreground or background signal . Prioritizing absorption over gimmicky missile , might be underwhelming for interview members who routinely " test " 3-D by off their eyeglasses ( a very limited measure in the first place ) but the colorful and vibrantFinding Nemosetting should provide discerning moviegoers with plenteousness of buff - pet moments that are successfully enhanced by the supply dimension . On their own , few of the view are likely to offer outright memorable 3D visual exercise set pieces ( this is still a post - changeover ) ; however , as an overall experience , viewers should detect a strong association with the underwater environment as well as a number of stroke that are specially striking this one shot - thanks to the add dimension ( i.e. the Jellyfish forest and East Australian Current ) .
to boot , theToy Storyshort , Partysaurus Rex , from director Mark Walsh is partner off withFinding Nemo 3Dand is easily the most pleasurable franchise spin - off to date . The scant motion picture succeed Wallace Shawn ’s beloved dinosaur character , as the typical " party pooper " of the group attempts to , instead , become the biography of a bathtub ( foam ) company . Considering its abbreviated short film runtime , Partysaurus Rexalone would n’t be enough grounds to pay for a subpar 3D rerelease but , attached to a well - crafted offering likeFinding Nemo 3D , the toon serves as an exceptionally entertaining lead - in . WhileToy Story 3put a voguish end pileus on the feature franchise , the short spin - offs continue to deport worthwhile adventures with Buzz , Woody , and the gang ( peculiarly if Pixar never attempt aToy Story 4 ) .
Finding Nemo 3Dis a lineament post - conversion experience that successfully enhances the 2003 pic ’s original standout visuals . While it might not bid the eye - pop gimmickry some moviegoers hunger in 3D features , it ’s easy to recommend the rerelease to sports fan who countFinding Nemoamong their favorite animize feature as well as anyone ( vernal or onetime ) who has never get the film in theatre of operations . receive Nemo 3Dis another example of post - conversion done the right way and , mate with the specially humorousPartysaurus Rexshort , is well deserving another slip to your local box business office .
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Finding Nemo 3Dis Rated G. Now playing in 3D theaters .
Nemo and Mr. Ray in ‘Finding Nemo 3D’
Rex (Wallace Shawn) in the ‘Partysaurus Rex’ Toy Story Short